Skip to main content

Modern Nazis and Pop Culture: An Examination of Fascist Media Tropes - My Little Pony

My Little Pony: Friendship is Magic is a children’s cartoon based on the popular horse toys from the
1980s. While the cartoon has had several incarnations, the most recent generation is the first to have a
substantial adult following. It follows the adventures of 6 ponies navigating interpersonal relationships in
their vast fantasy world of Equestria. The show focuses heavily on the lessons it teaches, basing many
of its decision in educating a young audiences.
The series has a rather large cast of world conquering villains. To date there have been 12 major
evildoers (major meaning they attempted to take over Equestria). Of those 12, 7 have ultimately been
redeemed. While redemption (especially redemption of toyetic characters) isn’t uncommon in children’s
media, it’s rare such despicable characters are given no punishment for unthinkable actions.
The seven redeemed villains Nightmare Moon, Discord, Sunset Shimmer, Starlight Glimmer, The Pony
of Shadows, Tempest Shadow, and Chancellor Neighsay all did objectively evil things, but while some
of them have properly framed redemption arcs, several have their horrific acts swept under the rug in
favor of a hasty atonement (More detailed explanation here). Because the target audience is
comprised of mainly children, it is especially important to not impart damaging lessons, and in today’s
world full of evil and unforgivable people the worst lesson a writer could possibly teach is misplaced
forgiveness.
The three redemptions that work (and don’t teach utterly abysmal lessons), are those of Nightmare
Moon, Discord, and Sunset Shimmer. All three of these characters face consequences for their actions,
are framed with more fantastical elements, and show a logical progression in their moral philosophy.
The other four villains all fail not only as characters, but also as vehicles to deliver messages. With the
exemption of Chancellor Neighsay, they are all worse versions of a successful counterpart. Starlight
Glimmer is a worse version of Sunset Shimmer, the Pony of Shadows is a worse version of Discord,
and Tempest is a worse version of Nightmare Moon.
All three of the good characters are forgiven based on the quality of their personal growth, and their
willingness to change. It’s worth noting that all of them must learn what the show calls “Friendship
Lessons”. Sunset can’t always control her temper, Nightmare Moon is tempted to abuse her power, and
Discord still tries to manipulate other creatures, but they show tangible change with each appearance.
These three exemplify proper restitution in the face of poor decisions.
The four poorly written characters all receive penance with no improvement. They are given
forgiveness on the basis of their empty promises rather than their actions, and frequently relapse into
harmful behavior, but receive no criticism or even get praised for objectively awful conduct. Starlight
continues to use magic to hurt people. Tempest uses her new friends for power. Neighsay is still
xenophobic, with only a tinge of remorse. The Pony of Shadows uses his new position to manipulate
friendships. None of these characters changed. Without proper setup, motivation, and execution, these
villains go against the primary objective of the show, teaching children.
These lessons in redemption are awful. They teach children to forgive without evidence for
improvement, and allow for toxic ideology to run rampant in response to pathetic moralizing. Due to the
large adult fanbase, and by extension a large group of online content creators, we can see the
damaging ideas the show imparts.

In 2018 a “Brony Analyst”, ToonKriticy2k, was accused of grooming underaged girls for sex. The
allegations were evidenced by years of screenshots and incriminating skype calls. Once all of the
evidence was available to the public,  While this is horrific, the surge of content creators gaslighting the
victims, calling for forgiveness, and steadfastly refusing to eliminate his presence is nothing short of
repugnant. A literal pedophile was allowed to remain friends with his colleagues because “forgiveness
is always best”. By this logic why wouldn’t the MLP community forgive Neo-Nazis? Why bother to
eliminate violently transphobic, racist, bullies when forgiveness is the only answer?

Comments

Popular posts from this blog

Modern Nazis and Pop Culture: My Little Pony (1-16-19)

My Little Pony: Friendship is Magic is a children’s cartoon based on the popular horse toys from the 1980s. While the cartoon has had several incarnations, the most recent generation is the first to have a substantial adult following .The show focuses heavily on the lessons it teaches, and educating a young audiences. In 2018 a “Brony Analyst”, ToonKriticy2k , was accused of grooming underaged girls for sex. The allegations were evidenced by years of screenshots and incriminating skype calls . Once all of the evidence was available to the public,  While this is horrific, the surge of content creators gaslighting the victims , calling for forgiveness, and steadfastly refusing to eliminate his presence is nothing short of repugnant. By this logic why wouldn’t the MLP community forgive Neo-Nazis ? Why bother to eliminate violently transphobic , racist (See Figure 1), bullies when forgiveness is the only answer?    Figure 1 [ID: The Third ...

Modern Nazis and Pop Culture: Superman (1-16-19)

Injustice: Gods Among Us is a comic book based on the popular video game of the same name. Clark Kent is tricked by The Joker into murdering his pregnant wife, Lois Lane, and killing all the citizens of Metropolis. Superman kills The Joker and proceeds to make a crime free world by becoming a fascist dictator. The whole comic is rife with gross implications, the most egregious being the portrayal of Superman. Not only do the artists use tacit Nazi symbolism to show Clark’s misdeeds (See Figures 1,2,3), but the story goes to great lengths to show this evil Superman as a good person prior to his trauma (See Figure 4). In addition, a subplot of the Year 2 storyline includes Superman gaining access to a yellow lantern ring , a weapon used to rule by fear. This paints the I:GAU Superman as a fear mongering dictator with a super weapon and horrific moral philosophy.     Figure 1       Figure 2     ...

Modern Nazis and Pop Culture: Wizard of Oz (1-16-19)

The Wizard of Oz was not written by a Nazi, contrary to popular belief. L. Frank Baum was a man of his time, thoughts on race included, so it shouldn’t be a surprise that much of his work contains racist, agest , sexist , and all around old fashion ideas. However, by analyzing at how the works of Oz have changed over time, we see how racial coding impacts the reception of a work. In 1900 Baum wrote The Wonderful Wizard of Oz and while it is generally believed to discuss the socio economic fluctuations of a bimetallic economy in the late 1800s, whether there is intentional allegory at all is a contentious point. The perceived allegorical statements of the book are in line with Baum’s liberal use of coding, or shorthand character signifiers. This type of coding has some unfortunately racist outcomes that fundamentally alter thematic elements of the story. The Winkies (See Figure 1), a fictional race that resides in the Ozian west (See Figure 2), are slaves to the Wi...